Review of What If, Hector and the Search For Happiness, Lucy (2014)

Trying something new here for a change; I've noticed my reviews have tended to be on the longer side, so here I'm going to do three concise reviews of the three films I watched yesterday. There is often the trouble with shorter reviews that you simply can't say all you ever want to say; but then I always think of things I've missed in my long ones anyway. If you can get the general gist with main points, then I'll be happy.

Also, I loathe loathe loathe LOATHE that flashy, gimmicky style of reviewing found in short reviews by people such as Peter Travers, so I will be trying my utmost to not do that.

What If

Daniel Radcliffe and Zoe Kazan charm the socks off of each other, and us, during this unexpected gem. He is smitten with her, and she's in a five-year relationship; the chemistry is undeniable between them, and... Yeah, you can kinda guess where it's going, but in this case the formula works and doesn't feel formulaic because it is emboldened by characters who come across as entirely real and make us care for them. It is lent an extra twist by Michael Dowse's snappy and twee direction, and the cute animated drawings which come alive at opportune moments. This is one of the best films of the year, and I cannot wait to see it again.

Hector and The Search For Happiness

The distinct impression given by Peter Chelsom's Hector and The Search For Happiness is that of a film evaporating before your very eyes. Nothing about it sticks, from the distant cinematography down to the lazy script, and most crucially Simon Pegg's wasted phoned-in performance as a psychiatrist trying to find the root of happiness (clue: it was there all along). Even Stellan Skarsgard pops up for a bit and looks uncomfortable. How deliciously ironic that a film about a man trying to find happiness ends up being so relentlessly miserable.

Lucy

Luc Besson returns after last year's hideous "The Family" with this phenomenal science-fiction/action film about a woman (Scarlett Johansonn) who, after ingesting an experimental drug, unlocks more and more of her brain capacity. Don't stick around to dissect the (bizarre) script, but do stay for one of the first big-budget studio films of the year that is truly alive; visually fascinating and cinematically beautiful, it has the feel of a personal pet project that's been percolating for years. It all goes off the rails, as per, but I haven't been more transfixed by the proverbial train crash in a long time. Cult material.